She nuzzled into my bare chest upset
That I could do nothing but stand and watch.
She knew me to be strong, which I regret
For I could not feel guilt, not by a notch.
This made me weak within her judging eyes
And I could not hide from the focused glow.
Why try? She could always see through my guise-
In which I once found vast comfort, then slow,
Sudden pain seared, hatred forging through.
I longed to push her hugging arms from me
But I abstained, my stand for her held true.
I then knew from her I would not be free.
To flee the only one who understands what I am
Is what I want, to be nothing but a sham.
PERMISSIONS: To view the blog, post on it, and comment on posts, you must be invited. I will send you an email invitation to join the blog, and then you must follow the instructions to join up and begin posting. You can't join the blog without first creating a Google account.
POSTING: Post your poems by clicking "New Post" at the top right of the page. Paste your poem into the window.
LABELING: Then label the post with the assignment name (i.e., "confessional poem," "sonnet," etc.), your name (i.e., "Tony Barnstone," etc.), and the week (i.e., "week one," "week two," but not "week 1"--spell out your numbers). If you post a poem in week two that is due in week three, label it "week three." When you begin to type in a label, the program will fill it in for you, so your post will be labeled with the rest of the poems in the same category.
COMMENTING: Afterwards, you can "comment" on the posts of your classmates. Post "group one" and "group two" one-page critical responses as "comments" on the posted poems, but also print out copies for me and for the poet and give them to us in class.
POSTING: Post your poems by clicking "New Post" at the top right of the page. Paste your poem into the window.
LABELING: Then label the post with the assignment name (i.e., "confessional poem," "sonnet," etc.), your name (i.e., "Tony Barnstone," etc.), and the week (i.e., "week one," "week two," but not "week 1"--spell out your numbers). If you post a poem in week two that is due in week three, label it "week three." When you begin to type in a label, the program will fill it in for you, so your post will be labeled with the rest of the poems in the same category.
COMMENTING: Afterwards, you can "comment" on the posts of your classmates. Post "group one" and "group two" one-page critical responses as "comments" on the posted poems, but also print out copies for me and for the poet and give them to us in class.
Showing posts with label Kelsey. Show all posts
Showing posts with label Kelsey. Show all posts
Saturday, April 4, 2009
Wednesday, March 4, 2009
Blank Verse
Recognition
As I emerge from bracken walls
My long shadow is comforting
It warms the pale, damp, dying light.
A dark piece leads me down the path,
Tempting me to follow slowly.
Eventually it hides behind,
Racing between dark silhouettes,
Fleeing from the open abyss-
Fleeing superfluous freedom.
I pull my thin coat round my self,
Covering my ashen shoulders.
Something sinister closing in...
Moving effortlessly towards...
Following too quickly behind,
Biting, clamoring at my heels,
It has found me and it wants me.
In the open with no control,
Nowhere to hide, nowhere to go
In this bleak, faintly breathing world,
My shadow finds me. It claims me.
As I emerge from bracken walls
My long shadow is comforting
It warms the pale, damp, dying light.
A dark piece leads me down the path,
Tempting me to follow slowly.
Eventually it hides behind,
Racing between dark silhouettes,
Fleeing from the open abyss-
Fleeing superfluous freedom.
I pull my thin coat round my self,
Covering my ashen shoulders.
Something sinister closing in...
Moving effortlessly towards...
Following too quickly behind,
Biting, clamoring at my heels,
It has found me and it wants me.
In the open with no control,
Nowhere to hide, nowhere to go
In this bleak, faintly breathing world,
My shadow finds me. It claims me.
Pantoum
She stalks and prowls deep
In the heart of the forest
A vile, seducing power
Leaking out her golden bulbs
In the heart of the forest
She treads lightly, her evil
Leaking out her golden bulbs
Calling our attention
She treads lightly, her evil-
Nothing but gorgeous nature
Calling our attention,
And she's licking her lips in response
Nothing but gorgeous nature
In the throbbing heart of the forest
And she's licking her lips in response
A vile, seducing power
In the heart of the forest
A vile, seducing power
Leaking out her golden bulbs
In the heart of the forest
She treads lightly, her evil
Leaking out her golden bulbs
Calling our attention
She treads lightly, her evil-
Nothing but gorgeous nature
Calling our attention,
And she's licking her lips in response
Nothing but gorgeous nature
In the throbbing heart of the forest
And she's licking her lips in response
A vile, seducing power
Wednesday, February 25, 2009
A Valentine’s day to do list:
Number 1: Embody, recreate and reminisce on any love moment together.
For us, an Indian day; Salwar and bellbottoms, cycling to Indian fast food.
Number 2: Go to the movies and bounce from one to the other until bored.
For us, start at two o’clock, then blissful look and hot kiss in dark theater.
Number 3: Share with the bed and with the sheets a bottle of wine or two.
For us, a cheap bottle from Athina, sweet pink garter belt, brandied lips speak.
Number 4 impromptu: Paint with your saturated mind the naked body of your love.
For us, easel and canvas at hand, many echoes of laughter, subtle affection.
Number 5: Finally, a dreamy day encapsulated, two paintings forming one body.
For us, we reach, not far, for soft colored limbs, and proverbial wholeness.
For us, an Indian day; Salwar and bellbottoms, cycling to Indian fast food.
Number 2: Go to the movies and bounce from one to the other until bored.
For us, start at two o’clock, then blissful look and hot kiss in dark theater.
Number 3: Share with the bed and with the sheets a bottle of wine or two.
For us, a cheap bottle from Athina, sweet pink garter belt, brandied lips speak.
Number 4 impromptu: Paint with your saturated mind the naked body of your love.
For us, easel and canvas at hand, many echoes of laughter, subtle affection.
Number 5: Finally, a dreamy day encapsulated, two paintings forming one body.
For us, we reach, not far, for soft colored limbs, and proverbial wholeness.
Thursday, February 19, 2009
Response to McDaniel
A response to Origins by Jeffrey McDaniel
I'm from biking in the woods and warnings of prowlers
I'm from detached family values and sad limbs of family trees
I'm from mutt blood and hiding behind clothes racks
I'm from forced love and alcohol stained ceilings
I'm from stealing scenes in high school plays
I'm from uniforms and moonlit tag on golf courses
I'm from across the playground as the pretty girls learned about popular boys
I'm from lying to get out of babysitting and nomadic pupils
I'm from unwashed hair in good company and hands in mismatched pairs
I'm from not heeding warnings and empty shells
I'm from don't drive like your father because it's unsafe and don't interrupt like your mother because I can't stand it
I'm from men exploiting my sweetness to get a grab, a taste, a feel, of my nineteen year old sex
I'm from fuck you when my friends are around and why, why, why when I'm alone
I'm from talking behind my back and the spitting of it in my face from drama queens
I'm from nuzzled necks in cold wind
I'm from you're the reason I want to leave this family
I'm from exit plans that involve pills and cars and cliffs
I'm from you're not allowed to be a feminist until you stop letting shitty guys abuse you
I'm from biking in the woods and warnings of prowlers
I'm from detached family values and sad limbs of family trees
I'm from mutt blood and hiding behind clothes racks
I'm from forced love and alcohol stained ceilings
I'm from stealing scenes in high school plays
I'm from uniforms and moonlit tag on golf courses
I'm from across the playground as the pretty girls learned about popular boys
I'm from lying to get out of babysitting and nomadic pupils
I'm from unwashed hair in good company and hands in mismatched pairs
I'm from not heeding warnings and empty shells
I'm from don't drive like your father because it's unsafe and don't interrupt like your mother because I can't stand it
I'm from men exploiting my sweetness to get a grab, a taste, a feel, of my nineteen year old sex
I'm from fuck you when my friends are around and why, why, why when I'm alone
I'm from talking behind my back and the spitting of it in my face from drama queens
I'm from nuzzled necks in cold wind
I'm from you're the reason I want to leave this family
I'm from exit plans that involve pills and cars and cliffs
I'm from you're not allowed to be a feminist until you stop letting shitty guys abuse you
If she could she'd watch the world
Through panes of stained glass
He doesn't see himself in reflections
He only sees lies in the looking glass
She finds the world in splinters;
Shards of glass across the linoleum
Attempting to achieve understanding
There are only eyes of glass
Look inside Liane, what do we find?
A chest full of organs made of glass?
Through panes of stained glass
He doesn't see himself in reflections
He only sees lies in the looking glass
She finds the world in splinters;
Shards of glass across the linoleum
Attempting to achieve understanding
There are only eyes of glass
Look inside Liane, what do we find?
A chest full of organs made of glass?
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