PERMISSIONS: To view the blog, post on it, and comment on posts, you must be invited. I will send you an email invitation to join the blog, and then you must follow the instructions to join up and begin posting. You can't join the blog without first creating a Google account.
POSTING: Post your poems by clicking "New Post" at the top right of the page. Paste your poem into the window.
LABELING: Then label the post with the assignment name (i.e., "confessional poem," "sonnet," etc.), your name (i.e., "Tony Barnstone," etc.), and the week (i.e., "week one," "week two," but not "week 1"--spell out your numbers). If you post a poem in week two that is due in week three, label it "week three." When you begin to type in a label, the program will fill it in for you, so your post will be labeled with the rest of the poems in the same category.
COMMENTING: Afterwards, you can "comment" on the posts of your classmates. Post "group one" and "group two" one-page critical responses as "comments" on the posted poems, but also print out copies for me and for the poet and give them to us in class.
POSTING: Post your poems by clicking "New Post" at the top right of the page. Paste your poem into the window.
LABELING: Then label the post with the assignment name (i.e., "confessional poem," "sonnet," etc.), your name (i.e., "Tony Barnstone," etc.), and the week (i.e., "week one," "week two," but not "week 1"--spell out your numbers). If you post a poem in week two that is due in week three, label it "week three." When you begin to type in a label, the program will fill it in for you, so your post will be labeled with the rest of the poems in the same category.
COMMENTING: Afterwards, you can "comment" on the posts of your classmates. Post "group one" and "group two" one-page critical responses as "comments" on the posted poems, but also print out copies for me and for the poet and give them to us in class.
Thursday, May 14, 2009
Critical Response 2 to Xan Calonne’s “Rinds in the Loam”
I have to say, this poem creeped me out. I can’t quite put my finger on why it did; but it managed to. The formal structure of the poem is pretty solid, and Xan has managed to make the form his own in the course of the poem, so I cannot offer much in the way of critique there. The lines which really stuck out to me were “A party sits and eats in pungent dirt and leaves and grass,/ Now they begin to drink from hollowed rinds found in the loam” and “The old king feels arthritic while he waits for Ragnorak/ His sword hangs at his side useless it is forged from hollow bone.” Both of these lines are just plain eerie to me. The images are strange, but very vivid and easy to put together in the mind. Yet, there are other lines which I do not see working as well. They are essentially the middle two stanzas of the poem separating the lines I have quoted above. Though “a minted mime” and a “blacksmith… at an old-timey faire” are both interesting and what Xan is doing with the rhymes is clever, they do not seem to do as much for the mood of the poem as the others. I would not say to cut them completely, but to perhaps expand on them and investigate the faire that the blacksmith is at and show the other characters at the carnival/faire. I would really like to see what he does with this and I hope that these suggestions bring up some things that get his mind going.
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