PERMISSIONS: To view the blog, post on it, and comment on posts, you must be invited. I will send you an email invitation to join the blog, and then you must follow the instructions to join up and begin posting. You can't join the blog without first creating a Google account.
POSTING: Post your poems by clicking "New Post" at the top right of the page. Paste your poem into the window.
LABELING: Then label the post with the assignment name (i.e., "confessional poem," "sonnet," etc.), your name (i.e., "Tony Barnstone," etc.), and the week (i.e., "week one," "week two," but not "week 1"--spell out your numbers). If you post a poem in week two that is due in week three, label it "week three." When you begin to type in a label, the program will fill it in for you, so your post will be labeled with the rest of the poems in the same category.
COMMENTING: Afterwards, you can "comment" on the posts of your classmates. Post "group one" and "group two" one-page critical responses as "comments" on the posted poems, but also print out copies for me and for the poet and give them to us in class.
POSTING: Post your poems by clicking "New Post" at the top right of the page. Paste your poem into the window.
LABELING: Then label the post with the assignment name (i.e., "confessional poem," "sonnet," etc.), your name (i.e., "Tony Barnstone," etc.), and the week (i.e., "week one," "week two," but not "week 1"--spell out your numbers). If you post a poem in week two that is due in week three, label it "week three." When you begin to type in a label, the program will fill it in for you, so your post will be labeled with the rest of the poems in the same category.
COMMENTING: Afterwards, you can "comment" on the posts of your classmates. Post "group one" and "group two" one-page critical responses as "comments" on the posted poems, but also print out copies for me and for the poet and give them to us in class.
Thursday, May 14, 2009
Critical Response to Celina’s “After-Thought (Ghost Life)”
While the poem is short, pretty amusing, and fairly complete for its brevity, I feel like it has a lot of room for expansion. The idea of being a disembodied spirit missing your armpits (of all things) the most, is particularly fantastic. This sort of idea has been worked with before, but I think that Celina is taking it in a nice direction. The language is both mournful and sarcastic, which I don’t know if I like, even though I laughed at it the first read through. If she were to expand on this, I would like to see more of the little details like the act of trimming pubic hair or burping or the feeling of a rose petal between the fingers. From there, I would suggest going off into the world and describing the little things about the people the ghost once knew, the things that it misses. It would be interesting to also see how the ghost character’s thoughts reflect on its enemies that it had while it was still a living being. What Celina has in her poem, as I see it, is an amazing beginning to a much longer poem that could be both funny and powerful. Cheers to her.
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