Saturdays, girls pack in the showers
to scrape the hair from their pussies
amid the steam and evaporate into
the arms of eager boys. Those are
the high times.
Mondays, no mention. Yet:
sex on screen, sex anxiously hidden
in the inner coat pocket
of our language, sex prodded with
fingertip slips over a shoulder or
spine, as we flirt in the day. Sex-crumbs
stack day in and days out in public
lead to nights alone, feverishly
rubbing the day’s pressure away.
PERMISSIONS: To view the blog, post on it, and comment on posts, you must be invited. I will send you an email invitation to join the blog, and then you must follow the instructions to join up and begin posting. You can't join the blog without first creating a Google account.
POSTING: Post your poems by clicking "New Post" at the top right of the page. Paste your poem into the window.
LABELING: Then label the post with the assignment name (i.e., "confessional poem," "sonnet," etc.), your name (i.e., "Tony Barnstone," etc.), and the week (i.e., "week one," "week two," but not "week 1"--spell out your numbers). If you post a poem in week two that is due in week three, label it "week three." When you begin to type in a label, the program will fill it in for you, so your post will be labeled with the rest of the poems in the same category.
COMMENTING: Afterwards, you can "comment" on the posts of your classmates. Post "group one" and "group two" one-page critical responses as "comments" on the posted poems, but also print out copies for me and for the poet and give them to us in class.
POSTING: Post your poems by clicking "New Post" at the top right of the page. Paste your poem into the window.
LABELING: Then label the post with the assignment name (i.e., "confessional poem," "sonnet," etc.), your name (i.e., "Tony Barnstone," etc.), and the week (i.e., "week one," "week two," but not "week 1"--spell out your numbers). If you post a poem in week two that is due in week three, label it "week three." When you begin to type in a label, the program will fill it in for you, so your post will be labeled with the rest of the poems in the same category.
COMMENTING: Afterwards, you can "comment" on the posts of your classmates. Post "group one" and "group two" one-page critical responses as "comments" on the posted poems, but also print out copies for me and for the poet and give them to us in class.
Showing posts with label free verse. Show all posts
Showing posts with label free verse. Show all posts
Wednesday, May 13, 2009
Us-Celina
His sadness collects in solitude,
A silent hurricane over
A chunk of the sea
None had crossed but winds.
Mine, a desperate claw and grate
At open-chested earth.
Plopped on sit-and-squeak spring beds
With a couple loose words and
The death of a day,
We exchange miseries
Like rain sprawling toward
The earth, then climbing
Hazily back upward. Yet:
There is no nature here.
A silent hurricane over
A chunk of the sea
None had crossed but winds.
Mine, a desperate claw and grate
At open-chested earth.
Plopped on sit-and-squeak spring beds
With a couple loose words and
The death of a day,
We exchange miseries
Like rain sprawling toward
The earth, then climbing
Hazily back upward. Yet:
There is no nature here.
Tuesday, April 28, 2009
Green Goddess
I feel nothing,
Numbness.
Taking over my body.
Oxy flowing through my blood,
Touch is absent
A non-existent memory.
Comfort from the rain,
Acid raindrops
Hit my pale face;
You run for cover.
I face the rain,
Melting my skin away.
The blood runs down my nose,
I hint a metal taste and
Cough a white cloud of chemicals,
A wasted breath.
The black ash
Collects on hands,
Beneath the foil.
A picture of me,
One year ago,
I look good.
Picture now,
Shoe next to face,
Profile picture,
Any angle captures the destruction.
Dark circles,
Targets for my depression.
People stare and wonder.
I know the answer,
They probably can guess.
Never will I be the same,
Scared for time,
from time,
Forever.
Wednesday, March 18, 2009
A Bus in Madurai
Dented metal, chipped paint,
Overflowing people
Crowd in
inflation.
Bodies of life and chrome tip and dip
forty five degrees
towards the stacking, forgotten
shops and shop keepers
slows and goes
off and off
on and on
always.
Overflowing people
Crowd in
inflation.
Bodies of life and chrome tip and dip
forty five degrees
towards the stacking, forgotten
shops and shop keepers
slows and goes
off and off
on and on
always.
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